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Baya, The Child Prodigy of Algerian Painting: A Dazzling Retrospective at the Grand Mosque of Paris

The exhibition "And Everything Becomes Colors" celebrates th

Baya, The Child Prodigy of Algerian Painting: A Dazzling Retrospective at the Grand Mosque of Paris
7dayes
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France - Ekhbary News Agency

Baya, The Child Prodigy of Algerian Painting: A Dazzling Retrospective at the Grand Mosque of Paris

Paris is vibrant with the colors of Baya Mahieddine, an Algerian artist whose early genius marked the history of 20th-century art. The exhibition "Et tout devient couleurs" (And Everything Becomes Colors), currently presented at the Grand Mosque of Paris, offers a deep immersion into the dreamlike universe of this extraordinary painter. Organized under the aegis of Carrefour du Maghreb, this retrospective is not just an artistic celebration; it is also an invitation to rediscover a figure whose impact still resonates strongly in the contemporary cultural landscape.

Born Fatima Haddad in 1931 in Bordj El Kiffan, Algeria, Baya was orphaned at a very young age. It was in this context of vulnerability that her talent was discovered, almost by chance, by the French artist Jean Peyrissac. He took her under his wing, recognizing in her a raw creative force, unformatted by academic conventions. By the age of 16, in 1947, Baya exhibited her works in Paris, an extraordinary feat for a young woman of her origin and era. Her paintings, bursting with motifs and colors, depict an enchanted world, populated by majestic women, fantastic birds, hybrid creatures, and lush flora, all imbued with a unique stylization.

The reception from critics and the public was immediate and enthusiastic. Major figures of the artistic avant-garde, such as André Breton, the pope of surrealism, were captivated by her work. Breton wrote the preface to her exhibition catalog, seeing in her an embodiment of the surreal and automatism, a pure and liberated expression of the unconscious. He described her as an artist who "is related to no one" and whose work "is not without evoking the most beautiful fairy tales." The admiration did not stop there: Pablo Picasso himself, impressed by Baya's expressive power, invited her to work alongside him in his studio in Vallauris in 1948, where she experimented with ceramics, leaving her mark on this new medium.

What makes Baya's work so singular is her ability to fuse modern art with deep cultural authenticity. Her Kabyle roots, far from being a mere backdrop, constitute the beating heart of her creation. The richness of Berber motifs, the symbolism of vibrant colors, the oral narratives, and the ancient traditions of the Maghreb manifest in every stroke, in every composition. Baya did not seek to imitate Western art; she invented a universal visual language from her own heritage, offering a new and decolonized perspective on art and identity.

The current exhibition, accompanied by reference works such as "Baya ou le grand vernissage" (Baya or the Grand Opening) by Alice Kaplan, highlights not only the artist's exceptional trajectory but also the importance of her role in the recognition of Algerian art on the international stage. Kaplan, through her detailed biography, contributes to re-evaluating Baya's place, often relegated to the category of 'naïve artist,' to reposition her as a pioneer, a visionary who managed to transcend labels. Her work is a testament to resilience, boundless imagination, and an unwavering connection to her land and culture.

Beyond her individual journey, Baya symbolizes the emergence of a new generation of Maghreban artists who, in the aftermath of independence, sought to assert their own artistic identity, free from colonial influences. Her art, joyful and deeply human, offers an escape from the harshness of the world, a refuge of beauty and hope. The Grand Mosque of Paris, a place of spirituality and intercultural dialogue, proves to be an ideal setting to host this celebration of color and life, thus strengthening bridges between cultures and generations.

In summary, the exhibition "Et tout devient couleurs" is a valuable opportunity to delve into Baya's vibrant universe, to understand how a young orphan from Algeria, by the sole force of her talent and imagination, managed to win the hearts of the greatest artists and leave an artistic legacy of inestimable richness. Her work continues to remind us of the power of creativity, the importance of roots, and the ability of art to transform our perception of the world.

Keywords: # Baya Mahieddine # Algerian art # Paris exhibition # Grand Mosque # André Breton # Pablo Picasso # Kabyle art # modern art # Alice Kaplan